During the shooting period (July 4–13), the artists were joined by many artist friends and long term collaborators. All visitors to the exhibition were potential extras inside a sprawling modifiable stage setting—a monumental faux-stone toy-block architecture of colonnades, amphitheaters, night-club interiors, and a prison. After shooting, the post-production of the film begins outside of the exhibition, whose interim results are projected onto the sculptural scenery as sequences. This permanent change of the installation setting corresponds to the process-based and improvisational quality of the exhibition and production of the film Stinking Dawn.
Curators: Lucas Gehrmann, Luca Lo Pinto